david gee

July 20th, 2011

I love David Gee‘s cover for This Way for the Gas, Ladies and Gentlemen.

From my essay:

“In one cover, Peter Chmela uses the device of a documentary-like image, a ‘realistic’ grainy and overexposed black and white photograph, its authority further reinforced by the use of a font modelled on jumpy mid-20th century typewriter text. The typical response to such indicators is automatic: it is seen as objective, matter of fact, historical; in other words, a cover befitting the gravity of the subject, a methodology commonly used when the imprimatur of verity is needed or sought (take for example, the use of black and white photography in Steven Spielberg’s 1993 film Schindler’s List, a half century after the advent of Technicolor’s three-strip process).

David Gee on the other hand, quite consciously used no such indicators, explaining that the idea for his cover

came after noticing that there is a common visual language for books of this nature: black and white imagery, black letter text, grungy effects; all employed to do most of the work for the reader. I used a colour photograph to contemporize the cover and emphasize that these events did not occur in black and white. They happened on beautiful days as often as they did on overcast, grey, gloomy days, and this only serves to deepen the horror.

 

Gee also took pains to clarify his use of the particularly legible font:

The type itself is set in DIN which was adopted by the German government in the late 1930s.[i] It was borne of a need and desire for ‘standardization and simplification’ (conveniently, Germans could read the new pan-European road and rail signs from their tanks) but the fact that these two words had greater and parallel ideological implications makes it all the more chilling.

Upon request Gee agreed to share his initial idea whose sombre black and white cover and funereal font support his argument above. Beautiful, stately and perhaps appropriate in any other context, the austere design is elegiac, verging on the heroic, and vaguely fascistic. Gee obviously realized it was quite wrong for this ‘anti-redemptory’ collection of stories and instead chose the direction above.”


[i] The German standards organization Deutsches Institut für Normung adopted the font, known as DIN 1451 in 1936.

lolita: the story of a cover girl, john bertram & yuri leving, eds.

May 17th, 2011

0220_Lolita_A

Readers of Venus febriculosa will know that in 2009 after discovering Covering Lolita, Dieter Zimmer’s online collection of covers, I sponsored a book cover competition for a new cover for Lolita. In all, 105 entrants from 34 countries submitted a total of 155 entries. Subsequently, I was approached by Yuri Leving, editor of the Nabokov Online Journal about writing an essay on the experience. I readily agreed, and the following year my paper was published. It occurred to me that this is a subject with much more to explore and decided it would be worth taking the project one step further. I contacted book designers, artists, design critics, and Nabokov scholars about participating in an interdisciplinary work exploring the issues uncovered by Covering Lolita and the Venus febriculosa contest. The result is Lolita: The Story of a Cover Girl which contains eighty new covers including a handful of the best covers from the competition along with a dozen essays about Nabokov and design. The forthcoming book will be published by Print Books in August (with the cover you see here by Sulki & Min!). You can see a sampling of some of the covers as well as an interview with me in Recovering Lolita, a wonderful article on Print Magazine’s site! Mary Gaitskill, author of Bad Behavior, is writing the foreword. Pre-order a copy of the book here!

Contributors include:

Stephen Blackwell, Chair, Russian Program, University of Tennessee, Knoxville, and author of The Quill and the Scalpel: Nabokov’s Art and the Worlds of Science

Barbara Bloom, Nabokov-obsessed conceptual artist (Revised EvidenceVera’s Butterflies, The Collections of Barbara Bloom)

Sian Cook, London College of Communication and Teal Triggs, Professor of Graphic Design, Royal College of Art, co-directors of the Women’s Design + Research Unit and designers, with Liz McQuiston, of the Pussy Galore conceptual font

Leland de la Durantaye, Gardner Cowles Associate Professor of English at Harvard and the author of the wonderful Style is Matter: The Moral Art of Vladimir Nabokov

Mary Gaitskill, author of several books, including Two Girls, Fat and Thin, Veronica, and Bad Behavior.

John Gall, art director at Vintage and Anchor Books and designer of the latest cover of Lolita, who acted as resident expert and adviser for the contest.

Yuri Leving, Chair, Department of Russian Studies at Dalhousie University and editor of the Nabokov Online Journal

Ellen Pifer, Professor of English & Comparative Literature at the University of Delaware, former president of the International Vladimir Nabokov Society, and editor of Vladimir Nabokov’s Lolita: A Casebook

Alice Twemlow, Chair and program co-founder, Design Criticism Department, School of Visual Arts and author of What is Graphic Design For?

Duncan White, Co-Editor with Will Normanof Transitional Nabokov

Paul Maliszewski, author of Paperback Nabokov

Dieter E. Zimmer, Author of Wirbelsturm Lolita; A Guide to Nabokov’s Butterflies and Moths; and Nabokov’s Berlin

There are so many incredible designers on board providing new covers including:

Mark Abrams

Keira Alexandra

Geetika Alok

Suzene Ang

April

Helen Armstrong

Aleksander Bak

Rachel Berger

Laura Berglund

Michael Bierut

Kelly Blair

Davis Carr

Sara Cwynar

Matt Dorfman

Johanna Drucker

David Drummond

Aliza Dzik

Vivienne Flesher

John Fulbrook III

Xavi Garcia

David Gee

Elena Giavaldi

Kate Gibb

Walter Green

Elena Grossman

Lyuba Haleva

Kat Hammill

Lauren Harden & Seth Ferris

Margot Harrington

The Heads of State

Jessica Helfand

Jennifer Heuer

Jessica Hische

Karen Hsu

Agata Jakubowska

Daniel Justi

Jamie Keenan

Philip Kelly

Ely Kim

Marina Mills Kitchen

Gregg Kulick

Chin-Yee Lai

Mark Lazenby

Sueh Li Tan

Ellen Lupton

Mary Voorhees Meehan

Mark Melnick

Peter Mendelsund

Debbie Millman

Razvan Mitoiu

Dan Mogford

Oliver Munday

Susan Murphy

Catherine Nippe

Linn Olofsdotter

Ingrid Paulson

David Pearson

Jason Polan

Laurie Rosenwald

Tanya Rubbak

Rumors

Paula Scher

Diane Shaw

Yuko Shimizu

Isaac Tobin

Transfer Studio

Anne Ulku

Jenny Volvovski

Michel Vrana

Jen Wang

Chip Wass

Sam Weber

Adrienne Weiss

Barbara deWilde

Gabriele Wilson

Ben Wiseman

Graham Wood

Henry Sene Yee

Anna Zukowska-Zysko


The format will be similar to This Way, a book edited by Marco Sonzogni based upon Venus febriculosa’s 4th book cover competition for Tadeusz Borowski’s This Way for the Gas, Ladies and Gentlemen.

Please check back soon for more information!

 

 

contest no. 7, hunger

May 3rd, 2011

“The malnourished winter queues were eerily silent”

I’ve been reading Lidiya Ginzburg’s Blockade Diary (written during the 900-day Siege of Leningrad during the Second World War) on the heels of Tim Snyder’s excellent book Bloodlands: Europe Between Hitler and Stalin (where in addition to the Siege he discusses Stalin’s horrific 1932-33 famine-genocide in the Ukraine that killed, at a minimum, three million people and quite possibly many millions more) and filmmaker Sergei Loznitsa’s remarkable 52-minute Blokada (consisting entirely of silent black and white film footage found in Soviet archives to which Loznitsa meticulously added sound, creating an eerily immediate and ultimately devastating document about the death by starvation of approximately one million Leningraders between September 1941 and January 1944).

“hunger killed where grief had only wounded” Inferno, Canto XXXIII/75

In 1289, five men starved to death in a tower in Pisa./In 1981 ten men starved to death in the H-Blocks in Northern Ireland.

The above quote, from Dante, is a translation by Irish poet and Nobel Laureate Seamus Heaney (1939 – ) that appears in his poem “Ugolino” from his 1979 collection Field Work. My colleague and friend Marco Sonzogni, himself a translator of Heaney, recently brought it to my attention. “Ugolino” is his translation of lines 1-90 of Canto XXXIII of Dante’s Inferno (Here is an interesting essay on the Heaney translation) which tells the story of 13th century Italian nobleman Ugolino della Gherardesca who, along with his sons and grandsons, was imprisoned in a tower by Ruggieri degli Ubaldini, the Archbishop of Pisa and left to starve.  Heaney possibly chose this portion of the Inferno to translate because the specter of hunger still looms large in Ireland, where in the 19th century the Great Famine killed a million people and sent another million scattering to other countries.  Heaney himself has said he considered dedicating “Ugolino” to the hundreds of Irish Republican prisoners who, starting in 1976, when their Special Category Status as political prisoners was revoked, refused to wearing prison uniforms and instead chose to wear only blankets, and later refused to bathe after being assaulted on their way to the baths by prison guards. The “Blanket Protest” and the “Dirty Protest” was ultimately followed by the hunger strikes in which Bobby Sands and nine others died.

Today, according to the United Nations World Food Programme, hunger is by far the most significant health risk worldwide. One in six people, or 925 million suffer from not getting enough to eat day after day, and every year six million children in developing countries die from malnourishment. The myriad causes are often inextricably linked: war, poverty, political unrest and disenfranchisement, corruption, economic underdevelopment, famine, environmental overexploitation

Marco had the wonderful idea to use the Dante/Heaney text in a poster contest to highlight awareness of world hunger. We are reaching out to a number of organizations and will work with one of them to make this contest part of its campaign against hunger. Our goal is to create a book of images and essays much like the This Way Project, the proceeds of which will go directly to that organization to alleviate hunger worldwide. Can a poster overcome complacence? Can it spur a distracted world to action? I recall the moment in 1999 when I read Peter Singer’s The Singer Solution to World Poverty in the New York Times Magazine and in fact its unassailable logic did spur me to action and it has affected me ever since. I’ve been in touch with Singer recently and, while he has no interest in judging a poster contest, he has agreed to advise us in our endeavor.

So here is the contest: To design a poster promoting awareness of world hunger that will spur us all to action!

Size: A2 420mm x594mm (approximately 16.5” x 23.5”)

Orientation: Vertical (Portrait) Only

Required Text: “hunger killed where grief had only wounded”

Deadline: 1 July 2011

Prize: 1200 USD

Jury: To be announced.

Here are the complete Hunger Contest Rules

Organizations:

Save the Children

OXFAM

United Nations World Food Programme

Welthungerhilfe

*   *   *

Ugolino

We had already left him. I walked the ice
And saw two soldered in a frozen hole
On top of other, one
’s skull capping the other’s,
Gnawing at him where the neck and head
Are grafted to the sweet fruit of the brain,
Like a famine victim at a loaf of bread.
So the berserk Tydeus gnashed and fed
Upon the severed head of Menalippus
As if it were some spattered carnal melon.
“You,” I shouted, you on top, what hate
Makes you so ravenous and insatiable?
What keeps you so monstrously at rut?
Is there any story I can tell
For you, in the world above, against him?…

(the reply)
…As I watched through a narrow hole
Moon after moon, bright and somnambulant,
Pass overhead, until that night I dreamt
The bad dream and my future’s veil was rent…

…They were awake now, it was near the time
For food to be brought in as usual,
Each one of them disturbed after his dream,
When I heard the door being nailed and hammered…

…Saying, “Father, it will greatly ease our pain
If you eat us instead, and you who dressed us
In this sad flesh undress us here again.

So then I calmed myself to keep them calm.
We hushed. That day and the next stole past us
And earth seemed hardened against me and them.
For four days we let the silence gather.
Then, throwing himself flat in front of me,
Gaddo said,
“Why don’t you help me, Father?
He died like that, and surely as you see
Me here, one by one I saw my three
Drop dead during the fifth day and the sixth day
Until I saw no more. Searching, blinded,
For two days I groped over them and called them.
Then hunger killed where grief had only wounded.

When he had said all this, his eyes rolled
And his teeth, like a dog’s teeth clamping round a bone
Bit into the skull and again took hold.

wioletta lenczowska, winner, cover design contest no. 6

May 1st, 2011

Perhaps our cover design contest no.6: DSM-5/DSoM at 40, american psychiatric association/pink floyd [2013] was a bit, shall we say, open ended. In any event, there was a record low turnout (fewer than 40 entries!).  Still, if the thirty-odd designs hewed rather closely to relatively predictable images (prisms, rainbows, brains) there were nonetheless among them some well-executed and interesting covers. I especially liked the shattered prism of Moira Perez (Spain) and the light-absorbing prism of Tomasz Florczak (Poland).  Gary Gowans (UK) and Narayana Navarroza (Philippines) both opted for a new, top-down perspective, while the cover of Fionn Byrne (Canada) emphasizes the particular dimensions of diagnostics. Janusz Marciniak (Poland) found inspiration in a rainbow aura. Helena Raczynska-Pachut (Poland) and Przemyslaw Pachut (Poland) rounded out the sequence with their interpretations.  Lastly, I should note that a few people, at least, dispensed with expected themes altogether. I liked the rather clinical covers of  Mia Vucic (Croatia).

Still, it was Wioletta Lenczowska (Poland) whose precise and lovely covers seemed just right.

Row 1:

Moira Perez

Row 2:

Tomasz Florczak

Row 3:

Gary Gowans (l)

Narayana Navarroza (r)

Row 4:

Fionn Byrne (l)

Janusz Marciniak (r)

Row 5:

Helena Raczynska-Pachut (l)

Przemyslaw Pachut (r)

Row 6:

Mia Vucic

this way: covering/uncovering tadeusz borowski’s this way for the gas, ladies and gentlemen

April 13th, 2011

Hitler was a megalomaniacal artist intent on remaking the world, not only through murder on an unprecedented scale, but by destroying the ethical relationship between words and truth and images and reality. The Holocaust and Holocaust Denial were twins born in the same monstrous womb. In the twenty-first century, can we possibly recapture the Renaissance ideal that “the eye is the window of the soul”? How can we reconnect words and images to deconstruct Orwellian lies, numbing kitsch and totalitarian faux-art? Using Tadeusz Borowski’s This Way for the Gas, Ladies and Gentlemen as a proof text,  Venus febriculosa has challenged some of today’s finest artists to reconceptualize the book cover as a way to reconnect words and images as a pathway to a human but horrifying truth. This Way for the Gas provides an interesting trigger for analysis and discussion on what might not be a new quest, but a challenge radically changed in the post-Holocaust era.

-Liebe Geft, Director, Simon Wiesenthal Center Museum of Tolerance, 2011

In Auschwitz, the concentration camp that was Hitler’s factory of death, the murdering of several thousand people each day had to be extremely well organized. The Germans chose young men from among the prisoners for various office chores, especially couriers.   Their lives were prolonged for the moment, but they never knew for how long.

Tadeusz Borowski was one of them, and that unusual state of being suspended between life and death he described in stories right after the war, expressing incredulity that “man could conjure up such a fate for man.”

No one who survived Auschwitz dared to write:

“Between two throw-ins in a football game nine thousand people had been gassed.”

For that honesty and truthfulness he paid with his life.  Caught in the web of propaganda and put in the position of having to write lies about the communist future of Poland, he preferred to commit suicide.

-Andrzej Wajda, 2011

Venus febriculosa is thrilled to announce its first book! Edited by Marco Sonzogni and with contributions from Alicia Nitecki, Berel Lang, Simone Gigliotti, John Bertram (that’s me!), Dov Bing, Monica Tempian, and Giacomo Lichtner This Way is began with our Book Cover Contest #4. For more information visit This Way Project.

You can see some sample pages from the book here.

Available now from Dunmore Publishing, Ltd. Order here!

patrycja bialoszewska & neco gil, winners, book cover design contest #5

March 14th, 2011

We’re pleased to announce the winner of Book Cover Design Contest #5 [Parade by Patricia Grace]. The winning prize will be shared by Patrycja Bialoszewska of Wroclaw, Poland  and  Neco Gil of London, England.  Of Bialoszewska’s cover, Patricia Grace says ““The woman is caught and almost framed, and yet rejects and turns away from the frame. She questions her identity, one face of her turned away, uncertain. But she comes to a realisation, becomes erect in pride and dignity.”

Many thanks to our jurors Patricia Grace, John Gall, and Marco Sonzogni.

There were many excellent covers among the 84 entries. Below are just a handful:

 

From top:

First row (l) Agata Jakubowska, (r) Tsvetelina Panova.

Second row (l) Andrey Bashkin, (r) Jay Paavonpera.

Third row (l) Anne Jordan, (r) Rusudan Margishvili.

Fourth row (l) Elliot Stokes, (r) Ash  Hutchinson.

Fifth row (l) Jonathan Yue, (r) Kristina Moersdorf.

Check back here in the next day or two for  a link to all of the entries.

Thanks to all who participated!

cover design contest no.6: DSM-5/DSoM at 40, american psychiatric association/pink floyd [2013]

February 4th, 2011

Here is something new and different.

Publication of the fifth edition of Diagnostic and Statistical Manual of Mental Disorders (DSM-5) in 2013 will mark one the most anticipated events in the mental health field, replacing the current edition, DSM-IV-TR. DSM is the standard classification of mental disorders used by mental health professionals in the United States and contains a listing of diagnostic criteria for every psychiatric disorder recognized by the US healthcare system.
2013 also marks the 40th anniversary of the release of one of the best-selling albums of all time: The Dark Side of the Moon by English progressive rock group Pink Floyd. DSoM is also one of the most recognizable album covers ever, designed by
Hipgnosis partners Storm Thorgerson and Aubrey Powell and created by associate George Hardie. Thorgerson also designed the cover for the 20th Anniversary box set edition, and also participated in the design of the 30th Anniversary 5.1 channel surround sound mix on the SACD format.

The purpose of the contest is to explore the interrelationship between these two very different works. 

Submissions may be in the form of a book cover or CD/DVD for the DSM-5 and/or an album cover or CD/DVD for the 40th Anniversary of the Dark Side of the Moon or a “mashup” of both works.

 Entries are dues Friday, April 1, 2011.

There will be at least one prize of $671 US for the winning entry. There may also be several interesting non-cash prizes for entries worthy of special mention.

Complete information and rules here.

 

 

 

 

 

 

 

 

  

 

 

Image by Storm Thorgerson

#5 deadline extended until February 15th

January 11th, 2011

book cover design contest #5: parade, patricia grace

December 3rd, 2010

2010-12-03_110012“Yesterday I went with Hoani, Lena, and the little ones up along the creek where the bush begins, to cut fern and flax.


So begins “PARADE“, by Māori author Patricia Grace (1937 –  ) from her short story collection Waiariki published in 1975, the first such collection by a Māori woman writer.

A brief summary from the New Zealand Book Council website:

“Patricia Grace is a major New Zealand novelist, short story writer and children’s writer, of Ngati Toa, Ngati Raukawa and Te Ati Awa descent, and is affiliated with Ngati Porou by marriage. Grace began writing early, while teaching and raising her family of seven children, and has since won many national and international awards, including the Kiriyama Pacific Rim Book Prize for fiction, the Deutz Medal for Fiction, and the Neustadt International Prize for Literature, widely considered the most prestigious literary prize after the Nobel. A deeply subtle, moving and subversive writer, in 2007 Grace received a Distinguished Companion of the New Zealand Order of Merit for her services to literature.”

The prize for the winning entry is $1500NZ!

Jurors include the author herself,  illustrious book cover designer John Gall, Venus febriculosa colleague Marco Sonzogni, and the former publishing director of Penguin NZ, Geoff Walker.

As usual, complete information and rules are here.

You may read the full text of the story is here.

Anna Zyśko

October 3rd, 2010

Anna ZyskoAfter the grueling efforts on the part of our five distinguished jurors to determine a winner with initially no consensus among them (luckily, I was not one of them!), we are relieved and very pleased to finally congratulate the winner of our Book Cover Contest No.4, Anna Zyśko of Tarnobrzeg, Poland, for her wonderful cover. Truly, this was an almost impossibly difficult contest and we are grateful to every one of the 241 entrants from 44 countires who courageously took part in the endeavor and who submitted many interesting and well-designed covers. Below are are six covers that we like (click on each for larger image). You can view all of the entries here. Again, thank you all, and stay tuned for No.5!

gary_gowanspeter_chmeladamian_ langoszRazvan_Mitoiuagata_jakubowskaneven_udovicic

Top Row, Left to Right: Gary Gowans, Fife, Scotland; Peter Chmela, Blatná na Ostrove, Slovakia.

Middle Row, Left to Right: Damian Langosz, Krośnica, Poland; Razvan Mitoiu, Ploiesti, Romania.

Bottom Row, Left to Right: Agata Jakubowska, Lodz, Poland; Neven Udovičić, Zminj, Croatia.

Anna studied under Professor Piotr Lech and received her Diploma in Graphic Design in 2009 from the Art Institute of Maria Curie-Skłodowska University in Lublin. When contacted, she had the following to say about her cover:

As I am from Poland I have been to Auschwitz and currently living in Lublin I have also seen Majdanek. Books by Tadeusz Różewicz and Zofia Nałkowska were required reading when I was a teenager. Seeing and reading about it was a memorable, shocking experience which I used when designing the cover.

Camp barbed wires are compounded in the title and author’s name, but the background shows blue sky – in order to underline that the book not only describes in detail the everyday life of prisoners who were killed but also shows that a few of them survived.